By August Reinhard)Ī Midsummer Night's Dream, Op.61 (Wedding March by Renaud de Vilbac) By August Reinhard)ĭie Jahreszeiten, Hob.XXI:3 (Chorus: Komm, holder Lenz. Sonatas for an Accompanied Solo Instrument (Violin Sonata in A Major, HWV 361: Adagio, Allegro. is missing) Arrangements and Transcriptions 2, 3 & 5 arranged by August Reinhard) Harmonium and Piano Duet Original CompositionsĦ Kurze melodische Stücke für Harmonium und Piano, Op.40Ħ Duos, Op.8 (No. Perles de l'harmonium Arrangements and TranscriptionsĦ Pieces for Piano, Op.31 (Nos. Postludes Libres pour des Antiennes de Magnificat, Op.68Ģ4 Pièces en Style Libre, Op.31 (Livre 1)Ģ4 Pièces en Style Libre, Op.31 (Livre 2)ġ2 Offertoires Originaux pour les Principales Fetes de l'Année Noël au village (some parts are for solo harmonium) Offertoire ou Sortie, extrait des 50 pièces pour harmonium Six pièces pour Harmonium ou Orgue Expressif L'Organiste Pratique (partly for Harmonium) Both versions have remained staples in the solo repertoire of each instrument.72 Pieces for Organ or Harmonium, Op.60 (more for Harmonium than for Organ) In doing so, he reworked many passages, adding double stops and reconstructing voicings to take advantage of the instrument’s rich tone in the lower register. Although Brahms was typically ambivalent towards commercial transcriptions of his work, he worked on adaptations of both sonatas for viola and published parts for both instruments simultaneously. He returned to the clarinet three years and five opus numbers later, having developed a staunch friendship with Mühlfeld (to whom he began to refer as “Fräulein Klarinette”) in the interim, and wrote for him two sonatas for clarinet and piano. Afterwards, retirement apparently to the wayside, the composer continued to write. Enthralled by Mühlfeld’s sound, Brahms relapsed from his creative hiatus of less than a year to write the Clarinet Trio op. During a subsequent visit to the Meiningen Court Orchestra (which had premiered his Fourth Symphony five years prior), Hans von Bülow introduced him to clarinetist Richard Mühlfeld, who performed Mozart’s Clarinet Quintet and Weber’s First Concerto. By 1890, having amassed no small reputation and no less fortune, a 57-year-old Johannes Brahms published his Prater Quintet, op.
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